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October 11, 2013
Crescendo: from discordant note to symphony
By Joe Tremblay *

By Joe Tremblay *

Crescendo is a short film based on the diary of Maria Beethoven, mother of Ludwig van Beethoven. Pattie Mallette, mother of pop artist, Justin Bieber, is the executive producer. Like Maria, Pattie was also tempted to take the “easy” way by having an abortion as an unwed mother. But she received aid and comfort from people at a maternity house.

The deeper underlying message of the film, in addition to its advocacy for life, is that through the Cross - that is, through suffering - great things and achievements are born. God, quite often, uses a discordant note to make a symphony.

As for Maria, she married a man by the name of Johann, a man who turned to the bottle in time of distress. It just so happened that his musical ambitions went unrealized. Unable to process his shattered dreams in a spiritually productive way, he drank away his sorrows and became an abusive husband.

Maria once characterized her marriage as a “chain of sorrows.” Perhaps, this is why, when she conceived Ludwig, their first born, she was tempted to have an abortion. In any event, although she stopped short of going through with it, she eventually came to know the pain of losing a child through death. In fact, four out of the seven children she gave birth to ended up dying in their early childhood years.

Maria Beethoven knew suffering during her short life of forty years. After she had died, Ludwig, her eldest son, said she was not only a good mother, but a dear friend.

As for the musical genius, Ludwig van Beethoven (1770-1827), he, like his mother, became acquainted with hardship. About the age of 30, he contracted a severe cold. But because his sickness was largely left untreated, it eventually led to the permanent loss of his hearing. So devastated was he over this disability, it led to a severe depression. He even entertained thoughts of suicide. In a letter to a friend, he poured out his lament over his loss of hearing:

“From year to year my hopes of being cured have gradually been shattered ... I must live like an outcast; if I appear in company, I am overcome by a burning anxiety, a fear that I am running the risk of letting people notice my condition. ... How humiliated I have felt if somebody standing beside me heard the sound of a flute in the distance and I heard nothing…”

It is interesting to note, to say the least that the best music he composed was during this time of darkness. Indeed, from this suffering came forth, this brilliant mind composed the world's most beautiful music. Incidentally, (or providentially) Beethoven was baptized a Catholic and died receiving the Last Rites from the Church in 1827. And I cannot help but believe that as he was going deaf and as he burned with anxiety, that his faith in Christ gave meaning to that suffering.

Both Maria and Ludwig teach us that great suffering is not incompatible with great accomplishments. True, both of them almost failed to see this. After all, the former was tempted with abortion, the latter with suicide. But as we often see in hindsight, adversity may be what is needed to bring about greatness and even new life. This is an important prolife message!

Raising awareness to human dignity does involve arguments that expose moral evils such as abortion and suicide. But in order for these moral arguments to be effective, there must be an interpretation of those things which lead to abortion or even euthanasia. To say it another way, Christians have to give meaning and dignity to suffering before the dignity of life can take hold in our culture. If the trials of an unwed mother or the burden of incurring a disability can be put into perspective for those who suffer from it, then these hardships can be borne with patience. Life, instead of being dispensed with, can then take on meaning. This is what the great moral revolution of the Cross brought to the unbaptized world. It gave dignity and purpose to suffering; and in so doing, it unveiled the splendor of human dignity.

The short film, Crescendo, shows us that God uses discordant notes to create beautiful symphonies. For centuries, he has chosen do this through the instrumentation of the Cross, that is, through the sometimes exceedingly difficult circumstances that we find ourselves in.  When these are united to Christ in a spirit of love and resignation, then God can take our discordant note to create a symphony.  For a preview of the film, click here.

Joe Tremblay writes for Sky View, a current event and topic-driven Catholic blog. He was a contributor to The Edmund Burke Institute, and a frequent guest on Relevant Radio’s, The Drew Mariani Show. Joe is also married with five children. The views and opinions expressed in his column are his own and not necessarily reflective of any organizations he works for.
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