Dec 9, 2009
Whenever I write about icons, there very often are comments from readers suggesting that Catholics can’t paint icons. The iconographic tradition, they argue is inseparable from Eastern spirituality and liturgy, and so Western Rite Catholics shouldn’t even try unless they follow the Eastern pattern of prayer and fasting. Some go further and suggest that even for Eastern rite Christians, only a monk can achieve the spiritual status necessary to paint icons well.
Whether or not we accept this relates to our understanding of what constitutes a vocation and how the virtue of being an artist fits into that.
In regard to painting sacred art, there are a number of elements needed: artistic skill; knowledge and understanding of the visual vocabulary and how it relates to the theological view it is portraying (in iconography it is Eschatological Man that is portrayed); and then the artist must have the virtue that allows him to follow God's grace to this end, should God choose to give it.
In this last respect, the principles of prayer (including that prayer directed towards a particular vocation) and fasting, are as much part of traditional Catholic, Western Rite spirituality as they are Eastern Rite. They apply to all artists, not just iconographers, who need inspiration and need to know how to follow it. There are three legitimate Catholic liturgical traditions, as specified by Pope Benedict in the Spirit of the Liturgy: the iconographic, the baroque and the gothic. And the need to for prayer and fasting applies to these other artists as much as it does icon painting. In fact, all Catholics should pray and fast and seek guidance in following their vocation, whatever it is. Artists are no different from accountants and janitors in this respect. Prayer and fasting is, and always has been, part of the spirituality of ordinary Catholics.