This imaginative tradition was nurtured in the West. Between the years 1140 and 1280 some 80 cathedrals were built, most within a hundred-mile radius of Paris, the then center of Catholic learning. These cathedrals were not built as architectural masterpieces to delight the eyes, nor were they built as graphic Bibles for the illiterate peasants. They were, as Irwin Panofsky points out in his seminal work Gothic Architecture and Scholasticism, the visual compendium of a complete medieval Catholic worldview. They were a sort of "Summa Theologiae" in glass and stone, filling the imagination just as the Summa of St. Thomas Aquinas filled the reasoning faculties of the mind.
More recently, following the ravages of Neo-Platonic Humanism and the Protestant Reformation, magnificent Baroque churches were erected as visual expositions of traditional Catholic theology, again in harmony with the Thomistic philosophy approved at the Council of Trent (1545 - 1563). In this case, the genius of St., Ignatius of Loyola realized that the Faith could best be re-established by an appeal to the imagination. At the Gesu church in Rome, as in most Baroque churches, sculpted and painted images of saints and angels sweep upward along the walls in a hierarchical ascent toward the blue painted sky where a tromp d'oeil door opens to the transcendental realm of heaven. But, as Jeffrey Chips Smith, a non-Catholic, tells us in his book, Sensuous Worship, Jesuit art was decidedly not meant to numb the intellect with a bewildering display, but to engage the eye progressively towards a cumulative goal. Indeed these churches were designed to allow laymen to "participate," albeit in a deeply interior and Ignatian way, in the liturgy. "Everything was predicated on the active participation of the individual" visually, intellectually, and spiritually. As Mr. Chips Smith points out in his book, this approach, fomented by St. Charles Boromeo and his fellow Jesuits, was largely instrumental in the conversion and re-catechesis of tens of thousands of German Christians after the 30 Years War.
This integration of Faith, Reason, and Imagination is sorely lacking in our Catholic culture today. Of late, following Pope John Paul II encyclical, Fides et Ratio, there has been renewed interest in restoring the harmonious balance of faith and reason. Little has been said, however, regarding the imagination. Since the time of the Second Vatican Council our churches, for whatever reason, have been stripped of their imaginative elements. While this trend appears to be waning and images are being restored, a lack of discernment as to quality and suitability remains. It would appear that "anything goes because nobody knows."