Apr 28, 2008
Last year, Vatican art restorers were surprised to find new art treasures underneath the soot and grime from centuries of candle wax. As it turns out the hidden treasures were done by landscape artist Paul Bril in the sixteenth century. It seems that Pope Sixtus V commissioned 40 artists of the period to paint landscape scenes near the Scala Sancta which is near the private chapel of the Popes in the Vatican Palace. According to Vatican historians Pope Sixtus V had a great appreciation for the visual arts and commissioned over 18,000 square feet of artistic endeavors during his reign. He was reported to enjoyed landscapes and other pastoral themes.
It is really an amazing thing that the Church has been such a consistent patron and advocate towards the development of the visual arts. In Sacrosanctum Concilium, the Fathers of the Second Vatican Council promulgated in chapter 7 that the Church had a unique relationship with artists and their arts. It enjoined local bishops to establish and maintain sacred art academies and schools to better educate artists regarding the importance of sacred art. At the same time, such an institution would enable both faithful believers and artisans the opportunity to learn about the intense relationship with all of the arts the Church has enjoyed for centuries. It is most likely one of the most disregarded mandates that came out of Vatican II in 1963. We are 40 plus years since the end of the Council and sacred art still does not have a domestic United States academy for its study and development. Since the close of Vatican II hundreds if not thousands of Catholic churches have been renovated, renewed, restored or even ruined by a disregard for their architectural and artistic integrity. Today, the Church is on the threshold of a restoration of the Tridentine Mass as a viable option to the Novus Ordo of Paul VI and our Catholic Churches have been quite literally looted and vandalized.
It was common practice in the post-concilliar period to completely remove old altars, renovate the sanctuary of most churches and “modernize” the architecture. Great examples of craftsmanship and artistic expression were frequently just “ripped out” and destroyed, or placed in storage. In its attempt to streamline and simplify it’s liturgical celebration of the Mass, quite often parish communities were completely rebuilt with little or no regard for the architectural and historical integrity of these sacred spaces. So here we are on the possible eve of a restoration of the Church’s ancient form of celebration and the requirements of Vatican II have not even been accomplished.
To the best of my knowledge there is no sacred institute for liturgical arts in the United States with artistic education as its primary purpose. From any experiences I have had, artists that focus on liturgical and sacred arts quite honestly don’t even have a national organization. However, they exist. Most of these artisans, experienced in all mediums of artistic representation(such as marble carving, bronze casting, wood carving, painting, iconography and so on.) seem to survive and proclaim their artistic interpretation of God’s creation without help or support from anyone in the hierarchy of the United States Bishop’s Conference. There are of course a few exceptions, and some bishops utilize American artists for domestic church projects. For the most part though, religious art for public exhibition in our Catholic Churches is confined to ordering iconoclastic images from religious supply catalogues or contracting with some foreign workshop to construct sacred art and images.